Artist Testimonials
Mark Isham
(Award winning film and TV composer)
Sample Logic has very quickly shot to the top of my list for “go to” sounds and flavors. Elements and A.I.R. made the writing process for two recent projects, “Not Forgotten” and “Crossing Over”, very fresh and fun.
I think what impresses me the most about Sample Logic’s instruments, aside from the brilliant sounds, is their organization. We work long and hard here to get our various libraries well organized so that finding sounds is easy and painless. Sample Logic, has taken this to a whole new level.
James Newton Howard
(Green Lantern, The Prince of Tides, The Fugitive, King Kong, I Am Legend)
Sample Logic’s new libraries are full of unique and interesting colors for my palette. We spend a lot of time creating new custom sounds for our films as the usual libraries are lacking but Synergy, Elements and Air are all well programmed and very useful. Well done.
Rumble
Trevor Morris
(The Tudors, Bad Boys II, The Pillars of the Earth, The Hills Have Eyes II, The Borgias, Pirates of the Caribbean: The Curse of the Black Pearl)
“Sample Logic’s Rumble has to be one of the more unique libraries to come out in a long time. Fresh and inspiring, its hard to use it and not get inspired immediately. Which is in the end what it’s all about for me”
Scott johnson
(Award-winning head drum instructor for the Blue Devils Drum and Bugle Corps)
“What an incredible vocabulary of Percussion sounds to have as a composer and arranger. Thank you Rumble”
Jim Wunderlich
(Front Ensemble Caption Head and arranger for the World Champion Concord Blue Devils)
“Sample Logic & the Blue Devils have parked us on the bridge between the marching percussion world & the cinematic world. Incredible!”
Cinematic Guitars
Trevor Morris
(The Tudor, Chase, Pillars of the Earth)
“Sample Logic has done it again! Cinematic Guitars is an extremely rich and robust library, that once again captures my first and most important requirement from sample libraries: Gravitas. It has a weight and feel to it that I responded to immediately.”
Bill Brown
(sole composer of CSI: New York, movies include Ali, Finding Forrester, and Any Given Sunday)
“The filmic, guitar-based rhythms, phrases and ambiences in Cinematic Guitars, along with some interesting new scripted and tempo-based effects, are definitely enough to inspire.”
Deane Ogden
(Hit List, The Way Home, Surrogates, The Sensei)
“Playability is always my #1 concern with any sample library. Again, Sample Logic has knocked it out of the park with Cinematic Guitars. With the very detailed subtleties of these instruments fronted by what might be the most tweakable user interface ever, Cinematic Guitars is a game-changer on a lot of levels.”
AIR Expanded
Bill Brown
(sole composer of CSI: New York, movies include Ali, Finding Forrester, and Any Given Sunday)
“I really like the interface for A.I.R. – useful, simple, and intuitive.. I can twist any of the sounds into something new in just seconds without having to dig down into the patches. The rhythms and electronic pulses are punchy, organic, tight and always funky – and tempo synced! I also found many impacts and ambiences in A.I.R. that are dynamic, interesting and useful. For me, A.I.R. is a nice addition to current sample libraries.. and still has it’s own unique sound.”
Gerard K. Marino
(composer GOD OF WAR, GOD OF WAR II)
“I’m sure that within a year you wont be able to turn on the TV, the radio, your game console, or visit your local multiplex without hearing A.I.R. in the music.”
Morphestra
Rupert Gregson-Williams
“The guys over at samplelogic have done it ! – surprised me. I am looking forward to using MORPHESTRA on my next movie score. Finding original sounds to use while writing is essential and inspiring. MORPHESTRA is going to be my new go-to tool.”
Jesper Kyd
“I was really surprised at how cinematic and dramatic these instruments are. A highly cinematic original tool set with an impressive range of instruments“
Mark Isham
“Sample Logic has impressed me yet again with Morphestra… they´ve certainly outdone themselves with these sounds. When I´m scoring, looking for elements and sounds to add to the palette, I need diversity. This is an incredibly diverse library and it will see some heavy use here for quite some time. Well done gentlemen!“
Waterharp
Tom Salta
Award-winning game composer
“Waterharp is a very fresh and inspiring library with textures that you don’t normally hear. The sounds are impeccably programmed and sit perfectly in the mix.”
Rod Abernethy
World renowned musician and award winning film Award-winning game composerGo etc…
“Got the library. IT IS AWESOME!!!!! Wow, you guys are geniuses.”
Geary Yelton
Electronic Musician Magazine
“This is amazing stuff! Absolutely awesome! Our readers need to know about this. “
Synergy
Mark Isham
Award winning Film and TV composer whose credits are to long to list.
“Synergy specifically, has taken organization to a whole new level. Melodic, Harmonic, Ambience, Impacts, Pads, then further subsets of descriptions…it’s all laid out with subsets of descriptions…it’s all laid out with composers in mind. It’s incredibly intuitive. When I reach for sounds in Synergy, I’m never disappointed. And the “Crash” television show can vouch for that.”
Brian Transeau – BT
World renowned musician and award winning film composer for: Monster, The Fast and Furious, Go etc…
“These sounds are not only usable they are incredibly evocative…. an amazing scoring tool”
Atli Orvarsson
Award winning composer for Babylon AD, Vantage Point, The Simpsons Movie, (Additional Music) Pirates Of The Caribbean 3, (Additional Music) The Holiday, & Stuart Little 3
“I’ve been a fan of SampleLogic’s products in the past. Both AIR and Elements are staples in my sound library but Synergy raises the bar. These sounds are great: very musical, flawlessly programmed and they lend themselves really well to further sound design exploration with plug-ins. Highly recommended!”
The Elements EXP
Jason Graves
(Renowned award winning game composer)
“The Elements is my secret weapon of go-to instruments when I need creative, interesting and easily-tweakable sounds. They sit perfectly in the mix and add just the right amount of drama to my compositions.”
David Lawrence
(“American Pie” , “High School Musical” , “Cane” , “Jericho”)
“One word…AWESOME! The interface is incredibly intuitive. You can instantly tweak sounds to achieve exactly what your score requires. This is an amazing tool for any genre or medium. The sound design is not only inspiring but incredibly viable in any application.”
Bill Brown
(sole composer of CSI: New York, movies include Ali, Finding Forrester, and Any Given Sunday)
“I had fun tweaking and using some ambient sounds from Elements in a recent episode of CSI:NY.. The filters on the interface came in very handy, and I especially enjoyed the movement and detail in these new sounds. Thanks again SampleLogic!”
Steve Tavaglione
(worked on various films and television shows, including Bridge to Terabithia, Smokin’ Aces and CSI: NY)
“Elements can kickstart a project instantly with a huge selection of sounds neatly tucked into categories that inspire musical storylines”